This is the place where you can personalize your profile!
But, how?
By moving, adding and personalizing widgets.
You can drag and drop to rearrange.
You can edit widgets to customize them.
The left side has widgets you can add!
Some widgets you can only access when you get a premium membership.
Some widgets have options that are only available when you get a premium membership.
We've split the page into zones!
Certain widgets can only be added to certain zones.
"Why," you ask? Because we want profile pages to have freedom of customization, but also to have some consistency. This way, when anyone visits a deviant, they know they can always find the art in the top left, and personal info in the top right.
Don't forget, restraints can bring out the creativity in you!
Now go forth and astound us all with your devious profiles!
since I have a major affinity for balloons (I perform on stage with balloons with people in them, and Im just a big kid that loves balloons) someone gave me the link to your balloon set.
First thing that comes to mind is the contrast between the (what I call) components of the shots. Im in New York City. It wouldnt phase me in the least to see a woman in a gown, balloons tethered to her hair, out club hopping on the Lower East Side.
But heres *Beauty and The Balloons* in this very unforgiving looking, vicious terrain that makes me think of the fragility of the balloons and the gown. Its actually that *out of place~ness* that makes the set grab me. Cant put my finger on why, but I *like* the mask too. Maybe just because its different.
Youve got some GREAT work!~ With the exception of my *subway geometrix* set, almost everything I do looks like a straight up documentary. Im envious. Even when I try to just go off and be different...yknow?
since I have a major affinity for balloons (I perform on stage with balloons...with people in them, and Im just a BIG kid when it comes to balloons) someone sent me the link to your balloon set.
First thing that struck me was the contrast in the two components (maybe not proper terms but they work for me) of the setting. Im in New York City. It wouldnt surprise me at all to see a woman in a gown, balloons tethered to her hair, strolling around the Lower East Side out clubbing. Or even further west near NYU in The Village. Bad balloonhedz, assuming you know what those spots are like.
But heres *Beauty and the Balloons* in the midst of vicious, unforgiving looking wilderness. Kinda makes one think of the fragility of the balloons and gown.
Its that *out of place~ness* that really gives the set its grab on me.
I like the mask too. Cant really say why other than its different.
Youve got some G R E A T work. Im so envious. Everything I do tends to be very...regimented. Protocols for what my brain thinks is a good shot. Like a documentary/portrait. Even when I try to just go crazy and be random, it STILL looks like Im doing a straight documentary.
With the exception of my *subway geometrix* set.
I haven't been on devart in a while, but I am going to start getting on more often cause I am starting to draw a lot again. I just put up a random abstract thing I drew on the back of a notebook in class.
Hey!!!!! How are youuuuuuuuuuuu? hmmm. . . how are ya?
So I finally put up that one drawing I was telling you about.
+++ Hey to everyone else out there that is reading this... HeavensMouth is an extremely talented, progessive, and inspiratoinal artist. . . Just thought I would share, and brag about her a little bit. +++
--
Mere opinions, in fact, were as likely to govern people's actions as hard evidence, and were subject to sudden reversals as hard evidence could never be.
I updated my profile and all, It still said I was 19, haha.
So I thought I'd drop by and leave a comment. So, ochenpriotna (thats the how 'nice to meet you' sounds when it is said in Russian)
First thing that comes to mind is the contrast between the (what I call) components of the shots. Im in New York City. It wouldnt phase me in the least to see a woman in a gown, balloons tethered to her hair, out club hopping on the Lower East Side.
But heres *Beauty and The Balloons* in this very unforgiving looking, vicious terrain that makes me think of the fragility of the balloons and the gown. Its actually that *out of place~ness* that makes the set grab me. Cant put my finger on why, but I *like* the mask too. Maybe just because its different.
Youve got some GREAT work!~ With the exception of my *subway geometrix* set, almost everything I do looks like a straight up documentary. Im envious. Even when I try to just go off and be different...yknow?
First thing that struck me was the contrast in the two components (maybe not proper terms but they work for me) of the setting. Im in New York City. It wouldnt surprise me at all to see a woman in a gown, balloons tethered to her hair, strolling around the Lower East Side out clubbing. Or even further west near NYU in The Village. Bad balloonhedz, assuming you know what those spots are like.
But heres *Beauty and the Balloons* in the midst of vicious, unforgiving looking wilderness. Kinda makes one think of the fragility of the balloons and gown.
Its that *out of place~ness* that really gives the set its grab on me.
I like the mask too. Cant really say why other than its different.
Youve got some G R E A T work. Im so envious. Everything I do tends to be very...regimented. Protocols for what my brain thinks is a good shot. Like a documentary/portrait. Even when I try to just go crazy and be random, it STILL looks like Im doing a straight documentary.
With the exception of my *subway geometrix* set.
--
I haven't been on devart in a while, but I am going to start getting on more often cause I am starting to draw a lot again. I just put up a random abstract thing I drew on the back of a notebook in class.
So I finally put up that one drawing I was telling you about.
+++ Hey to everyone else out there that is reading this... HeavensMouth is an extremely talented, progessive, and inspiratoinal artist. . . Just thought I would share, and brag about her a little bit. +++
--
Mere opinions, in fact, were as likely to govern people's actions as hard evidence, and were subject to sudden reversals as hard evidence could never be.
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